
Traceyโs model card from the Grace Del Marco agency, 1991, before she changed the spelling of her name.
She was hiding in plain sight. Walking the runways of Paris and New York and getting large commercial contracts for Clairol and Ultra Sheen. But very few people knew that Tracey Gayle Norman had been born a man and was living her life as a woman โ and a high fashion model at that โ back in the 70s and 80s. When news got out that she was transgender, her fairytale career came to an abrupt end. But now Norman is speaking out about the incredible life sheโs lead. Here are 12 fascinating facts about Tracey Normanโs life, as told to New York Magazineโs The Cut:
1. Before modeling, she thought sex work was her only option because she is a transgender woman.
โFriends from back home in Newark who worked in fashion had been telling her for a long time that she was beautiful enough to model. It would be a better alternative than what she thought might be her only option to make a living: โI was trying to not become a sex worker,โ she says.โ
2. Before she became a model, she would say she was a design student to get into fashion shows.
โI would just tell them that I was a student at FIT and they would let you in, but you couldnโt sit. You had to stand in the back row and it was really tight,โ says Norman. โI would go to see how models walk, because I was still in training.โ
3. She got her first job by following a group of black supermodels into a hotel. The job was a shoot with Italian Vogue.
โOne morning in, she believes, 1975, Norman was on her way to see a fashion show that Grundy had told her about at the Pierre Hotel. When she stepped out of the subway, she noticed a group of black models she recognized from magazines standing on the corner outside the hotel. She waited for them to go inside, and then slipped in behind them. Through the door, into an elevator. โMy mind just kept saying, โFollow them,โโ she says. Off the elevator, into the next room. Norman made sure she was the last person in line.
โAfter I got close enough to see what was going on through the door of the hotel room, I saw it was an interview,โ she says. Near the end of the day, her turn finally came and she stepped up to the desk, where they asked for her name, phone number, and agency (which she didnโt have). The next day she got a phone call saying sheโd been booked for a two-day shoot for Italian Vogue and the pay was $1,500 a day, more money than sheโd ever seen. โMy eyes popped out of my head!โ says Norman. โI couldnโt wait to call my mom.โ She didnโt realize until then that the people sheโd met at the desk had been an editor from Italian Vogue, Basile designer Luciano Soprani, and photographer Irving Penn.โ

Left to right: Beauty shot for her portfolio, 1993; In Miami Beach; modeling for Black Elegance magazine, 1980.
Photographs: Preston Phillips (Left), Courtesy of Tracey Norman (Remaining)
4. She was quickly signed with the agency that represented supermodels Pat Cleveland and Veruschka.
โWith Pennโs endorsement, they signed her immediately and began sending her on go-sees, billing her as a younger version of Beverly Johnson, never mind that Norman was only two months younger.โ
5. During her career she lived in constant fear of being found out.
โEvery day Norman left the house she still shared with her mother to go to a job or a go-see, she would say a prayer: โPlease Lord, donโt let anybody disrespect me, call me a name, or try to embarrass me. And please donโt let this be the day.โ
The friends whoโd helped her transition had warned her of how vulnerable she was in the line of work sheโd chosen. โThey told me, โJust go in, do your work, and leave. Donโt worry about being invited to dinner with photographers, donโt stay late by yourself with photographers, donโt go to big giant parties by yourself with photographers. Just tell them no thank you and come home.โโ
How did she pass in an industry where changing in public is part of the job? โDuct tape becomes a girlโs best friend,โ she says, slyly. โI had to do other things, yes. Iโd like to keep some things private.โโ
6. In the mid-70s she became the face of Clairolโs Dark Auburn hair dye. It went on to become their highest-selling box dye and Normanโs Clairol contract was renewed twice.
โNormanโs big Clairol moment came in the mid-โ70s as well. The company was looking for fresh faces to adorn the boxes of its new hair-dye line for women of color, Born Beautiful, and brought her in for a test. Under the bright lights, her hair had reddish undertones. They snapped photos and labeled her hue Dark Auburn, Box 512, and concocted a hair color to match. She had never dyed her hair, but she had done a home perm to relax her curls, and the interaction of the chemicals and the sun had naturally lightened it to a shade women would pay money to re-create. She signed a contract for two yearsโ use, with the agreement that sheโd get paid more if they renewed, which they did, twice. โSo they used my box for six years, because they said it was the hottest-selling box,โ says Norman. โThis is what I was told.โ Thousands of Clairol customers were emulating the look, and affirming the beauty, of a transgender woman.โ

Clockwise, from top left: At a friendโs birthday party, 1994; the face of Clairol, 1975; in 1994; at a friendโs house in 1995; model card, 1991.
Photographs: Douglas Says (Top Right), Courtesy of Tracey Norman (Remaining)
7. She believes she was outed by legendary Essence Magazine editor, Susan Taylor.
โA holiday-issue shoot for Essence, circa 1980. Hairdresser Andre Douglas braided Normanโs hair and beaded it in gold; they wrapped her in an Egyptian cloth. The photographer told her to imagine she was Cleopatra floating down the Nile; his assistant climbed a ladder to shower her with gold flakes. โHe was clicking, clicking, clicking, clicking.โ The magazineโs then-editor-in-chief, Susan Taylor, had seemed very excited. โShe even mentioned, โThe pictures are so beautiful, Tracey, this could be a cover,โโ says Norman. They were on the third roll of film when Norman noticed someone else come onto the set. It was one of Andre Douglasโs assistants, the one who was always asking her questionsโฆ
According to Norman, the hairdresser spoke with Taylor and then Taylor stopped the shoot, saying: โโI think we have enough.โโ The editor untied the Egyptian cloth Norman was wearing. She was kind about it. โShe was asking me was I all right; she was standing behind me, looking at me in the mirror, rubbing my shoulder, complimenting me on how soft I was,โ says Norman. โThatโs when I knew. The way that she looked at me through the mirror, it was different. She was looking for the person that this hairdresser told them that I was.โ
(Taylor did not respond to requests for comment; both Douglas and the hairdresser who spoke to Taylor are deceased.)
Taylor didnโt say anything explicit to Norman then โ or ever. And itโs possible that Norman misinterpreted their interaction. But she doesnโt think so. The next day when she called her agency to find out if she had any bookings or go-sees, they said no. โAll I know is that my work stopped that day.โโฆ
Norman claims she was not paid for that last Essence job, and the pictures were never used. She says she contacted Taylor to see if she could at least have copies of them, but โshe said none of them came out good,โ Norman says. โLater I heard she threatened to sue the agency for false advertisement. But the agency didnโt know about me, either.โโ
8. Possibly out of fear of a lawsuit, her agency was never straight with her on why she stopped getting work.
โAfter a week went by, she went in to pick up her check and sat in the waiting area until Zoli himself came out to talk to her. โI said, โIs there anything going on that I should know about? Because suddenly Iโm not even testing,โโ says Norman. โHe came up with the excuse that my hips were still too big and I should think about losing more weight.โ At this point she was a size 6, the model size of the day. โI said, โOkay, Iโll call you in about two weeks when Iโve gotten down.โ I was a size 4 when I called back.โ Still there was no work.โ
9. When Laverne Cox shot her Essence covers, Norman was on her mind.
โLaverne Cox has appeared on the cover of Essence twice. She got emotional during the first shoot in 2014, she says, thinking of Norman. โI was like, โOh my god, Iโm doing a cover shoot for Essence and this is the magazine that 40 years ago fired a trans woman when they found out she was trans.โโ She chokes up. โIt just means a lot to me that history can be rewritten.โโ
10. After being outed in America, Norman got steady work in France with Balenciaga then went to Milan where work was scarce. Eventually she moved back to States and got a major beauty contract for Ultra Sheen. But the ad brought on unwanted attention, and work dried up again. She moved back in with her mother and worked at a high end shoe store in Newark until unwanted attention and gawking forced her to resign.
11. Norman eventually got into burlesque and joined the drag-ball community where she used her experience as a model to teach others how to walk the runway. She was embraced in the ballroom community and became an icon.
โShe prided herself on using her modeling skills to get her โchildrenโ to walk like professionals, rather than in the flamboyant style that was in vogue before she joined. Her own personal trademark move was to walk out in just jeans and a Tโshirt. When she reached the judges, she would pull out a white handkerchief from her back pocket. โAnd then sheโd wipe it across her face and show the handkerchief to the judges [to show that she had no makeup on] and the place would go crazy,โ says Garrett.โ
12. Norman believes the backlash she received for being a transgender fashion model is completely hypocritical.
โBeauty and fashion is all about illusion,โ she says. โSo when the doors were opened for me, I walked right through. And then the doors slammed โฆ Once the doors closed, I was no longer a woman and I no longer got the respect of a woman. People who used to say โsheโ now said โhe,โ and itโs not who I am and itโs not the person that I identify with. Itโs like you, as a person, no longer exist.โ
Incredible! Um, where are Ava Duvernay, Lena Waithe and Dee Rees because Normanโs life needs to be turned into a movie right away!! You can read the full incredible story here.
Ladies, what are your thoughts?
Fascinating (and tragic). Thank you.
What a fascinating story, thank you for sharing it with us!
Wow! This is an incredible story. And I agree, it would make a great movie, similar to Gia Corangiโs storyโwhich launched Angelina Jolieโs career.
What an amazing Trans-woman.
Incredible story, no doubt.
Wow us โhumansโ are so sick that we would fire or deny work to someone we previously celebrated just cos theyโre transgender. What a world. Iโm glad things are (slowly) getting better.
Interesting. So this person turned to the gay male community after being โdiscovered.โ Makes sense. These are feminized men, who are usually, but not always, gay. Women, no. But feminized men? Yes.
Nope. Sheโs a woman.
So many positive comments and this disgusting drivel is what gets to the top. Sheโs a woman, and thank God, you canโt change that.
Well, when โsheโ has been menstruating from the age of eleven or twelve, and when โsheโ has been socialized to think โsheโsโ worth less than a man since birth, and when โsheโ has to have ovarian or cervical or uterine screening or surgery for fibroids or endometriosis, then, by golly, โsheโ can join the club.
Biologically speaking he isnโt.
His feelings canโt change scientific fact can they?
His DNA is male isnโt it?
Everyone is entitled to their feelings, but facts bow to no one and nothing.
This is tragic. Though he is dressed to look like a woman, he still looks like a man dressed as a woman. Ironic too that his greatest supporters are .โฆ women. Whatโs that about?
Are his greatest supporters really women?
FascinatingโฆI would see the movieโฆshe is beautiful.